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Brenda Guiled began studying Shorei-Kan karate in January,
1995 and received her third-degree black belt in June, 2002.
She
has learned about numerous other martial arts as well, especially when
organizing and running a five-week community participation program in
Vancouver called "The Art of Martial Arts" in 1998. Thirty different
martial arts schools (eg. WingTsun
Kung Fu) representing 25 different forms from seven countries taught
classes, gave performances, and contributed visual, musical, dramatic,
and other arts to the events. More than 1,200 people attended.
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Shorei-Kan karate's roots reach back to Shaolin Temple kung-fu.
Master Seikichi Toguchi, on the left, created Shorei-Kan (House
of Politeness and Respect) from Master Chogun Miyagi's modernization
of te, or hand, to kara-te, which means "open hand".
Kaicho (leader/head/
president) Toguchi was the inspiration and role model for the old
master in "The Karate Kid" movies, although the tournament and sport
aspects of the films are a misapplication of Shorei-Kan principles
and a Hollywood addition.
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Brenda painted this watercolour for
Koyabu Sensei following her first-degree black belt test, to thank
him for his genius and for his help building a Japanese garden in her yard. The garden had
just begun then, as had her studies.
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Following are some monoprint abstractions that embody
Brenda's karate learnings from white belt starting in 1995 to
her first-degree black belt in 1997 - very basic understandings,
that is. Since achieving third-degree in 2002,
she has had continuing insights into the genius of this ancient
living art.
Shorei-Kan karate-ka are required to have
at least third-degree black belt and to be 35+ years old before
they open their own dojo. Karate is all about justice -
doing one's self justice, doing relationships justice, doing the
world justice, and doing the art justice. Age and years of training
do not ensure this, but increase the likelihood of it.
Third-degree black belts test for White Crane kata
and dance, because like White Crane, they can then fly free to
make their own way in the world - to open and run their own dojo,
should they choose. Brenda moved to beautiful little Salt Spring
Island in 2002, where she started the Salt Spring Shorei-Kan Karate
School, which now has two dozen students, all but two of them
boys from age 6 to 16.
Three of Brenda's students tested under Tomoaki
Koyabu Shihan for their children's black belt in June of
2006 and continue in the teen program; two more will test early
in 2007. They are becoming amazingly refined, coordinated, quick,
graceful, powerful young men.
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White belt panel
"These white belt images are crude and clunky - just the way
I felt during my first year of karate. They're framed by black
- the many black belts who taught me and the black belt that
I was reaching for."
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Top left: Baby Steps
"In my first class, there
were several black belts, no brown, green with yellow stripes, white
with green stripes, and me in the whitest of white. I'm taking my
first tentative, crude basic-walking steps, with no notion of how
far I'll go.
Top right: Four Ways from Home
In beginner katas
(patterns of movement), one steps in the four ordinal directions
from the central starting point. In more advanced katas, one steps
in 45-degree angles as well - eight ways from home - and even occasionally
22.5 degrees.
Bottom left: Inside Outside Worlds
Karate is about integrating mind and body with internal and
external influences, to resolve inner and outer conflicts. The mountains
of Okinawa, where karate originated, are in the distance. The white
belt square separates the potential black belt within, while ki
energy (red on all of these pieces) surges from underground / undercurrent
sources.
Bottom right: Learning to Flow
White belts are stiff
and straight. Green belts flow into brown, which flow into black,
who are finally able to integrate the flow of sky and water into
their moves, thinking, and philosophy.
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Learning to Breathe
This panel is about breathing, coordinating breath with movement,
so the katas begin to settle and flow. All the following
images are framed in white, because we are all white belts
in this great Universe, and because "the end of all our journeyings
is to return to the beginning and to know it for the first
time" - to become white belts again (with thanks to T.S. Elliot).
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Beginning Seyunchin
Seyunchin is an ancient kata, at least 500 years
old. It's about settling in, yet it also marks the beginning of the
roughest part, for many, to black belt. The crudeness of the paint
and ghost-like unsettled energy show how I felt as I mimicked its
patterns. |
Sanchin
Sanchin, another ancient kata, focuses on breath
and power. In the penultimate set of moves, one grabs the air while
breathing in to fill the expanded, centred locus of ki energy. By
learning to breathe again like a baby, one's learnings simplify, settle,
and progress. |
Rhythm Seyunchin
This depicts the open moves of Seyunchin, done to music.
When breathing, pulse, and intent become clear, the kata starts to
settle. This piece is calmner, simpler, purer - closer to how I should
feel when doing the entire kata. |

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Hakutsuru no Mai - White Crane Dance
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| The story is that Master
Chogun Miyagi saw this kata-dance in a dream. He told his student
Seikichi Toguchi, who created it with input from his Okinawan dancer
wife, Mrs. Toguchi, who became Kaicho of Shorei-Kan karate following
her husband's death in 1998. |
White Crane fights Snake
in the garden, but rather than vanquish him, as often happens in other
martial arts forms, White Crane tumbles Snake away and summons the
strength and courage to fly away. She finds freedom and grace in her
world, leaving Snake, without judgment, to his. |
The old master in
the "The Karate Kid" movies is fashioned on the character of Seikichi
Toguchi, but is named Mr. Miyagi to honour Toguchi's teacher. Near
the end of the original movie, Mr. Miyagi does White Crane dance most
memorably on a beach, high on a piling, switching from balancing on
one foot to the other with a graceful leap. |

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Black Belt panel
"All of these images have a black belt in them, with a thin gold
thread through the belt. Karate has become that in my life and to
my other arts."
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Sunrise
I grew up in the Rocky Mountains, and they remain key to my being
and well-being. When I meditate and when my moves/arts flow, my head,
heart, and ki energy are those a child waking to a mountain-perfect
day. This is sunrise over the Okinawan hills too. |
White Bird
Black belt is not an arrival, but a beginning. There's pride in achieving
it, but it's daunting too, because responsibilities increased dramatically.
Note that by chance a little bird appeared in the upper left corner.
Fitting serendipidies increase as ability and understanding grow. |
Sunset
This is the sea, where life begins and ends, where flow is constant
and ever-changing. The sun - the Okinawan sun/Japanese flag - rises
again, and we come full circle to Sunrise.
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